The source of our teaching can be traced back to the late Chan Master Sheng Yen (1931-2009). For thirty years, he devoted himself tirelessly to reviving the tradition of rigorous education for monks and nuns, establishing monasteries and centers of learning; teaching and leading Chan retreats worldwide; interfaith outreach, world peace, youth development, and gender equality. Master Sheng Yen also emphasized protecting the four environments we inhabit: the spiritual, the social, the living, and the natural.

Sheng Yen taught Buddhism and Chan in a concise, direct, and practical manner, which people can easily relate to and apply in their daily lives. With disciples and Dharma heirs worldwide, Shifu has planted the seeds for the continued cultivation of Chan in the world today and the future, for the benefit of all who wish to learn and practice this tradition.


Novice Changjin

Master Sheng Yen was born in 1931 to a farming family in a village near Shanghai, China. He entered Guang Jiao Monastery with a fourth grade education at age 13. As Novice Changjin, he carried out the traditional duties required of monks in China’s Buddhist monasteries at that time. “The local monastery I entered, like most others in China, was called a Chan temple. But, in fact the theory and practice of Chan was almost never discussed there. As young monks, most of us did not have any clear idea of what Chan practice really was. Our training simply consisted of the rigorous discipline prescribed for monks—everyday activities such as washing clothes, working in the fields, cooking and performing daily services. Chinese Buddhism did not provide a systematic education for monks. A monk’s training was usually completed gradually and imperceptibly through the experience of everyday life.”

At age 16, because of Communist opposition in the area, he was transferred from the countryside to Da Sheng Monastery in Shanghai with his fellow monks. Here Changjin heard of a seminary where young monks could acquire a Buddhist education, the Buddhist Academy at Jing An Monastery. He ran away from Da Sheng (a decision later approved by his master) to study at the academy. There he was inspired by the teachings of Chan Masters Xuyun (Hsu-yun, Empty Cloud) and Tai Xu on their visits to Shanghai. The seminary was founded by a student of Master Taixu, one of the great revivers of modern Chinese Buddhism. Taixu himself was much influenced by Great Master Ouyi (1599-1655). The seminary also emphasized physical exercise with instruction in Tai Ji and in Shaolin boxing from a teacher from Shaolin Monastery.

Zhang Caiwei

In 1949, China was in chaos. After much deliberation, Changjin changed his name to Zhang Caiwei and took refuge in the army and left for Taiwan. Yet as a soldier, Zhang Caiwei never for a day forgot that he had been a monk; he never wavered in his conviction that he would once again take up his monastic robes and return to the path to enlightenment.

In the army, the young Zhang Caiwei closely observed life in the lay world and wondered about the origins of life. Eventually, his mind was totally immersed in a great ball of doubt. Then chance brought Zhang to meet Master Lingyuan, a lineage disciple of Master Xuyun. The night of their meeting, under Master Lingyuan’s guidance, Zhang Caiwei had a powerful experience. Describing the experience, Master Sheng Yen says: “It was as if my life suddenly exploded out of the tin can in which I had imprisoned it.” He had experienced his first enlightenment.

Sheng Yen

In 1960 Zhang Caiwei re-entered monastic life under Master Dongchu at the Buddhist Culture Center in Peitou, Taipei, taking the Dharma name Sheng Yen. The Ven. Master Dongchu was a disciple of Master Taixu. “There was a certain master, Dongchu, whom I sensed to be an extraordinary individual. He did not lecture, nor did he give people instruction in practice. Seeking neither fame nor followers, he was widely known and respected. His speech was unusual and had a startling effect on people. Under his tutelage, he constantly harassed me. For example, after telling me to move my things into one room, he would later tell me to move to another room. Then he would tell me to move back in again. Once, he told me to seal off a door and to open a new one in another wall. I had to haul the bricks by foot from a distant kiln up to the monastery. We normally used a gas stove, but my master often sent me to the mountains to gather a special kind of firewood that he liked to brew his tea over. I would constantly be scolded for cutting the wood too small or too large. I had many experiences of this kind. In my practice it was much the same. When I asked him how to practice, he would tell me to meditate. But after a few days he would quote a famous master, saying, ‘You can’t make a mirror by polishing a brick, and you can’t become a Buddha by sitting.’ So he ordered me to do prostrations. Then, after several days, he would say ‘This is nothing but a dog eating shit off the floor. Read sutras!’ After I read for a couple of weeks, he would scold me again, saying that the patriarchs thought the sutras good only for cleaning sores. He would say, ‘You’re smart. Write an essay.’ When I showed him an essay he would tear it up saying, ‘These are all stolen ideas.’ Then he would challenge me to use my own wisdom and say original things. All these arbitrary things were actually his way of training me. Whatever I did was wrong even if he had just told me to do it.”

Two years after becoming Master Dongchu’s disciple, Sheng Yen went into solitary retreat at Chao Yuan Monastery (1961-1968). “Six years passed very quickly; I had little sense of time. I hadn’t accomplished what I had hoped to, but others persistently urged me to return, so I left the mountains. Returning to Taipei, I still felt inadequate. I thought that to teach Buddha Dharma in this age, I needed a modern education and a degree.” So in 1969, on the strength of his works on Buddhism published during his retreat, he was admitted to Rissho University, Japan and earned a doctorate in Buddhist Literature in 1975. “During this period I visited various masters of Zen and esoteric Buddhism. I received the greatest influence from Bantetsugu Roshi, a disciple of Harada Roshi. I attended several winter-long retreats at his temple in Tohoku. Being in northern Japan, the temple had a very harsh environment. Moreover, the master seemed inclined to give me an especially hard time and constantly had his assistants beat me. Of the people there I had by far the most education, and he would say, ‘You scholars have a lot of selfish attachments and vexations. Your obstructions are heavy.’ ”

In 1975 Sheng Yen formally received transmission received transmission from Chan Master Dongchu in the Caodong (Jp. Soto) tradition of Chan and in 1978 he received transmission from Chan Master Lingyuan of the Linji (Jp. Rinzai) tradition of Chan, becoming the second generation descendant of Chan Master Xuyun, the greatest contemporary patriarch and reviver of Chan Buddhism.


The late Chan Master Sheng Yen was a Dharma heir of Venerable Master Dongchu in the Caodong lineage and was given the Dharma name Hui Kong (meaning “wisdom of emptiness”) and the Dharma title Sheng Yen (meaning “adorned with holiness”). Sheng Yen was the fifty-second generation descendant of co-founder Master Dongshan (807-869). He was also a Dharma heir of Venerable Master Lingyuan in the Linji lineage and was given the Dharma name Zhi Gang (meaning “to discern resoluteness”) and the Dharma title Wei Rou (meaning, “always gentle”). He was the fifty-seventh generation descendant of Master Linji (d. 866). Through his innovative teachings, Master Sheng Yen became one of the best known modern Chan masters in the twentieth century, reviving the practice of Silent Illumination (mozhao) from the Caodong lineage and the Critical Phrase (huatou) method from the Linji lineage. He emphasized both correct views of Buddhadharma and direct realization through practice in a uniquely modern Chinese form of Chan Buddhism called Dharma Drum Lineage of Chan (Fagu zong), which he founded in 2006.

In the Linji lineage, Sheng Yen is:

  • a sixty-seventh generation descendant of the First Patriarch of Chan, Bodhidharma (approx. 440-528)
  • a sixty-second generation descendant of the Sixth Patriarch of Chan, Huineng (638-713)
  • a fifty-seventh generation descendant of Master Linji (d. 866)
  • a third-generation descendant of Master Xuyun (1840-1959)
  • a direct descendant of Master Lingyuan (1902-1988)

In the Caodong lineage, Sheng Yen is:

  • a sixty-second generation descendant of the First Patriarch of Chan, Bodhidharma (approx. 440-528)
  • a fifty-seventh generation descendant of the Sixth Patriarch of Chan, Huineng (638-7130)
  • a fifty-second generation descendant of co-founder Master Dongshan (807-869)
  • a direct descendant of Master Dongchu (1908-1977)

In 2006 Master Sheng Yen created a new Chan lineage, the Dharma Drum Lineage, which unites his transmissions from the Caodong and Linji lines. This new lineage inherits the wisdom of Buddhadharma and, at the same time, aims to make Chan practice accessible to modern people.